The musical-play “Quarter Rican” divulges into what it means to have a cultural identity and what are the limitations of claiming a cultural identity. Daniel, the child of an interracial marriage, with a Puerto Rican father and Jewish mother, is married to a white woman, and ponders about that with another parent, and if his child will be able to claim his Puerto Rican identity, despite being only a quarter. With his alter ego, MC Platano and the beatboxer, Daniel has moments of self reflection and introspection, that force him to raise a critical eye to the world around him and the preconceived notions of race and culture, and how those ideas have their own influences on him, and how they develop into innate biases. The play is able to incorporate humor, music and special effects to meld into a beautiful note to reconciling with cultural identity.
Claiming Latinidad, means different things for different people, and those who may not fit what the preconceived idea of what “looking” Latinx is, may find themselves defending their cultural identity. The play attempts to reinterpret and redefine aligning with culture, and being able to do so without immediately jumping to the experience of shared trauma, but rather having it come from a sense of pride, being proud of where you come and recognizing beauty in community, not collective pain. I thought it was an interesting point out that Daniel jumps to anecdotes of microaggressions to solidify his confidence in being Puerto Rican, and that the musical calls out that before we have pride, we may sometimes tokenize ourselves to defend our identities. The musical ends on the question, that when met with pushback, claiming an identity, will be able to defend it with pride and joy? Will we able to recognize when we should only be a listening ear to hard conversations?






