Imagine having two questions on a measly piece of paper have so much power over you and who you view yourself to be. This is a big aspect of the book being titled “ No-No Boy” because you have two questions that go hand and hand with each other that create a label of identity whether you are ready to receive it or not. To be asked to leave a part of you behind and only focus on the other part of you that destroys what you have suppressed. Your identity being tied to nations, not knowing if you’ll ever be American enough or Japanese enough. It is powerful to read about question 27 and 28 that fortified the isolation and alienation of Japanese people as they would either have to let go of a vital part of who they are or face extreme consequences and abuse as repayment for not making the “right decision.” Those two questions gave the illusion of choice when in reality what is stripping of identity, a twisted form of natural selection where the “weak” are punished for not making the “right choice of saying yes.”
Lyon, Cherstin. “Questions 27 and 28.” Densho Encyclopedia. 24 Aug 2020, 14:47 PDT. 23 Mar 2023, 13:52 <https://encyclopedia.densho.org/Questions%2027%20and%2028>.
This reminds me of Edwidge Danticat’s Breath, Eyes, Memory which spoke about the sexual trauma many women growing up in Haiti may experience, it is the main plot of the story as the protagonist Sophie deals with generational trauma related to sexual assault that continues to harm and debilitate her from a child into adulthood. In a Journal Article written by Masoumeh Mehni in regard to the reception of Danticat’s raw depiction of what it is like growing up with sexual trauma and how culture and family can have a big part to play states, “ McAfee claims that in Kristeva’s point of view, “Literature offers a way to help work through what afflicts us. In addition to displaying the symptoms of some kind of malady of the soul, literature can be cathartic” (McAfee 50). This is certainly true for abjection. In her book Powers of Horror , Kristeva says of abjection and literature:
By suggesting that literature is [abjection’s] privileged signifier, I wish to point out that, far from being a minor, marginal activity in our culture, as a general consensus seems to have it, this kind of literature, or even literature as such, represents the ultimate coding of our crises, of our most intimate and most serious apocalypses. Hence its nocturnal power (Kristeva 208).”
Mehni, Masoumeh. “Analyzing the Problematic Mother-Daughter Relationship in Edwidge Danticat’s ‘Breath, Eyes, Memory.’” Journal of Caribbean Literatures, vol. 7, no. 1, 2011, pp. 77–90. JSTOR, http://www.jstor.org/stable/41939268. Accessed 23 Mar. 2023.
Danticat went on to publish a letter of apology as Haitian women felt they were being portrayed in a negative light and later had to state that not all women in Haiti will face this sort of trauma, however, it doesn’t erase the sexual oppression and control of women that Danticat witnessed growing up. Sometimes, audiences are not ready to have salt poured on their wounds because the truth of the pain may be too much to bear.
To read No- No Boy by John Okada in today’s society means to openly acknowledge the pain and suffering Asian Americans faced and were forced to relive during COVID. To openly read his book is to be vulnerable with your trauma and speak on it so that others feel understood but also supported. Minorities are not alone in their story, and they deserve to be recognized no matter how painful it may be to do so. We cannot erase that pain, but we can acknowledge its existence.